How To Identify A Painting

How To Identify A Painting – You no longer need to go to the gift shop to pick up souvenirs from the art gallery. A new app lets you scan your artwork with your phone’s camera, learn more about it, and save a digital copy.

The app, called Smartify, uses image recognition to identify scanned artwork and provide people with additional information about them. Users can add the work to their digital collection. Smartify co-founder Thanos Kokkiniiotis describes it as a combination of music discovery service Spotify and music recognition app Shazam, but for visual creations.

How To Identify A Painting

The app will launch in May, with selected artworks from the Louvre Museum in Paris, France and the Metropolitan Museum of Art in New York, as well as all artworks from the Rijksmuseum in Amsterdam and the Wallace Collection in London.

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Many museums and galleries have apps to tell visitors more about their collections, but Smartify works institution-wide. You do not have to visit the original production to take advantage of this offer. Scan a Leonardo da Vinci postcard.

The app presents information the same way you would if you were standing in front of the Louvre.

Kokkiniotis said most galleries already have digitized versions of their collections, so creating an app that can recognize individual paintings is relatively straightforward. The hard part is convincing the gallery to allow the app access to this information. All that’s left is to compare what you see with your smartphone’s camera against the database of digitized works.

While other digital collections, such as Google’s Art Project, showcase digital versions of paintings and offer virtual tours of galleries, Smartify serves as an online image database as well as complementing physical gallery visits. It is intended to

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Kokkiniotis hopes that as the app’s popularity grows, more institutions and individual artists will be able to make their work available. Museums and galleries that sign up will also have access to demographic information about the people who use Smartify and the artworks they interact with, which can be used to inform marketing and advertising. According to co-founder Anna Lowe, the data of people who log into the app will be anonymized. If you don’t want to share your data, you can use the app without logging in.

But not everyone is so thrilled with people using smartphones in galleries. “Many visitors go to museums for the outlet-free experience,” says Kevin Walker of the Royal College of Art in London.

He believes visitors should look up from their phones and trust gallery curators when viewing artwork. “They are experts by experience,” he says.

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You may have read my numerous Art Collecting Guide articles on how to safely buy an Old Master (including examining the surface, frame, and underside of the painting). Here are exactly the steps I described above that you can use for your own art research and discovery process.

— Basically, that’s all the details the German local auction house has included in the site information space.

The rating for this painting is rather modest, usually given to such an unnamed, small-scale image.

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Intuition drove me to sign up for the sale. I hope the price doesn’t go up so high that the joy of waiting for the mystery to be solved to buy a new one is lost.

Luckily, my co-bidders weren’t very aggressive that day (really), so I won the deal knowing I wouldn’t regret it even if my research failed.

Unfortunately, the small, low-res photos that came with the lot were the only evidence I had to decide whether or not to take a portrait.

So when the painting arrived, the first thing I did was carefully examine the back of the panel.

Can Anyone Identify This Painting. The Authors Signature Is Almost Impossible To Read.

I couldn’t believe my luck! Like my good old Belgian friend Mr. Hercule Poirot, who brought me all the evidence I needed to solve the case.

“Prepared Panels Winsor & Newton (Exclusive), Artist Colors To Her Majesty The Queen and T.R.H. Princes and Princesses of Wales 38, Westbourne Place, and North London Color Works, Kentish Town, North West ”

Ah! That’s why the German auction house thought it was an English school. How close were they to the truth, and how far were they, in fact, from the truth?

The panels prepared for his work meant little and certainly did not make him British. These panels were very popular among his late nineteenth-century artists, and are likely indicative of the artist’s visit to London at some point in his career to purchase his art supplies.

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This accuracy to his decade of 1880 attested to my own thoughts on the date of creation of the painting. sticker

I asked a dear German-speaking friend to help me decipher the inscription around the coat of arms of the double-headed eagle, which reminded me of the coat of arms of the Austro-Hungarian Empire.

], from 1867 he refers to the institution of the “Austrian” part of the Austro-Hungarian Empire until 1918, and this suggestion was soon proved.

The initials above belong to Heinrich Leopold Neumann (1844-1913), a well-known art dealer and art collector with direct ties to the Austrian court.

Help Me Identify This Paintings Artists

H. L. Neumann amassed a vast collection of paintings during his lifetime and organized fully cataloged exhibitions. And there I focused, looking for traces of the painting “Woman in a fur hat.” As I was thinking, it could be somehow related to the Venetian costumed portraits with oriental motifs.

In a scanned version of one such catalog I found online, a painting by Eugène de Blasse (1843-1932) caught my attention.

I googled his photos and found none that match the artist’s style in my photos. Well, I’ve never been a big fan of Blow’s method, so I happily moved on.

Now, this piece from his 1904 Vienna exhibition is exactly the same as the one I bought, and it’s almost the same format. “

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And the name is Anton Bertzik. The pressure is on. Let’s Google his art and see if it really has anything to do with the photo I have.

The first link with this artist’s name took me to Christie’s and I saw pieces very similar to his in 2016 where he purchased for over $8,000 (including buyer’s premium) .

Austrian Anton Belzyk (1850-1899) actually lived in Munich during the last quarter century (I even managed to find his exact address in an 1898 book).

“He specialized in high-society portraits of Munich and London women, and was very elaborate in his representation of fabric, hair and jewels.”

Can Anyone Identify This Painting And Artist? It Is 4×6 Feet And Very Textured. Signature Is The Second Close Up Photo. It’s Pretty Hard To Read. Please Help.

Of course, Belczyk was not as famous as his contemporaries. However, he produced high-quality portraits in a distinctive style, attracting the best and most loyal clients in Germany and his native Austro-Hungarian Empire.

This did not reveal any paint loss or surface damage on his part, but still exposed some nice detail. Additional face his paint added to color his cheeks (

Belzyk usually signed his paintings in the dark lower corners, making it almost impossible to discover the actual inscription a century later. My blacklight bulb wasn’t strong enough to recognize it either.

At the same time, the signature style and all the other evidence made this attribution a no-brainer.

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Dear readers, I hope you will embark on your own quest and experience the joy of finding and discovering missing clues.

If you’re looking for a second opinion, or have any questions or ideas about the paintings in this story, feel free to contact me.

My name is Marina Vyatkina. She is an art history writer and collections consultant. Read my other art-related articles, watch videos, or contact me to discuss this blog or address.

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